Animal sculptures

An animal in sculpture is a test for the artist: a few lines too many, and character turns into literalness. Forms in this collection – such as the Gato cat or the Modern Horse – capture the animal’s movement and temperament in a geometric, contemporary volume.

From the living room to the garden

We make animal sculptures in stainless steel and resin, in finishes from gold to graphite. Smaller figures work indoors – on a chest of drawers, console table or pedestal. Larger forms suit the garden and representative space. Each one is handmade in our studio and available exclusively in our gallery.

Geometry instead of literalness

Our animal sculptures do not copy anatomy – they build character from a few simplified planes and lines, as in the horse or cat silhouette from this collection. Thanks to that, the form works like a contemporary sculpture, not a figurine: you recognise the animal by movement and proportion, not by detail. That allows it to function well both beside minimalist furniture and in an open garden, where an overly literal form quickly loses expression from a distance.

Material for indoors and outdoors

For figures kept at home, resin is most often chosen – lighter and available in intense colours, from gold to graphite, so the sculpture becomes a clear accent on a chest of drawers or console table. For the garden and outdoor spaces, stainless steel, brushed or polished, works better – it withstands sun, rain and frost and additionally reflects the surrounding light. Smaller figures, up to about 60 cm, work well in close range – on a shelf, chest of drawers or pedestal – while larger forms stand on their own in a hall or garden and remain readable from a distance. So it is worth starting the material choice with the question of whether the sculpture will stand indoors or outdoors.

Haven’t found your animal?

We will make a commissioned sculpture – from sketch to finished form. The process begins with a conversation about which animal and at what scale should be made; then Kris Szczypiński prepares a concept, and the sculpture goes into production in the studio near Częstochowa as a single piece.